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Crafts are not seen in the same way art is; it is considered less valuable. It is taken as it is with no significance taken beyond its use. For example, a scarf is looked as a decorative object or for warmth but rarely does anyone look at how tight the knots are or give any depth to its characteristics that they do for something like a painting. The way people view crafts is a reflection of the way they view women and contrast the way they see men and art. There is a need to distinguish between arts and crafts that results in crafts being seen as inferior.
Women have been using crafts in order to send messages, tell a story, or for political purposes. Quilts were made during Women’s Rights Movement and about the slave trade; they made quilts that had on it themes that related to issues of their time. The quilt is an example of how something that is often used in the private sphere by women can be used to depict an issue of the public sphere.
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In taking two ideas that are thought to exist separately and putting them together creates a new idea. It merges two realities creating one and showing that both can exist together. It is important to note that both do not merely co-exist but that they are balanced and can come together and create harmony for those women who chose. There are white figures that show the stages of life that women are expected to go through. Childhood, Marriage, Motherhood, and being and Elderly all these stages require a submissive women to fill the roles. They are stages that do not allow women to go on any different path.
At the bottom there is three images of women dancing. There is freedom in their positions that are not associated with the roles they are expected to fulfill. Unlike the white figures each of them have their own patterns that show how every woman is different. But they exist on the same apron which means that they can be balanced with the expected stages if a woman chooses. Women should not feel like they have two identities which they must fight to choose.
Works Cited
Ringgold, F. (1999). The invisible
princess. New York: Crown Publishers.
Robinson, S. (1982). Contemporary Quilting. Worcester: Davis Publications.
impressive.
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ReplyDeleteYour project is really creative and good job creating the apron! The symbolism you discussed was very insightful, and it shows that you conducted an extensive amount of research.
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