Tuesday, November 27, 2012

Living Through Photography

These following artists take a different spin to art and put their emotions, opinions and help to provoke thoughts in their audience's mind about the way they think and view the world around them. 

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Sherman. Untitled No. 92. 1981
Cindy Sherman(1954- current)  is known for her “self” portraits. She dressed herself up and transforms herself into someone totally different. I said put the “self” in quotes because her portraits are not really of herself. She hides her identity in all of her artwork. At first Sherman began her interest in art with painting…however, she decided that paint has too many limitations for the types of ideas and messages she wanted to convey. Her messages are different in all of her photographs; however she does not view herself as a feminist artist even though many of her photographs conveyed some feminist thoughts such as in her 1981 Centerfolds which called attention to the stereotyping of women in the media. What is unique about Sherman is that she takes on the role of director, photographer, make-up artist, hair stylist, and model all at once in producing her artwork. One of her most famous series she did was her Untitled Film Stills where Sherman stated that the series was “about the fakeness of role-playing as well as contempt for the domineering ‘male’ audience who would mistakenly read the images as sexy.”(“cindy Sherman, Britannica) Sherman uses herself and her photos to bring about the point that what you see may not be what is really there.

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Sally Mann, 'Last Light', 1989, from the series 'Immediate Family'
Sally Mann(born 1951) was first introduced to photography by her father when he photographed her  nude as a young girl. (“Sally Mann”, Britannica) She began her own photography career in ’69 as a teenager and continued to spend two years studying at Bennington college. In ’83 she started photographing 12-year-old girls herself. Her portraits titled “Immediate family” brought her a great deal of controversy because they were portraits of her own three children nude and posed in various positions that were disturbing to many viewers. However, it was said that her portraits of her children were an “honest exploration of the complexities of childhood.” (“Sally Mann”, Britannica) Her children were found in many of her photographs and many people did not understand how Mann could put her children out there for the world to see like that. However Mann stated, “many of these pictures are intimate…but most are of ordinary things every mother has seen. I take pictures when they are bloodied or sick or naked or angry.” With these staged visual explorations, Mann captured some of the darker images of childhood and raised some thought-provoking issues. (“Sally Mann”, Britannica)  Although her portraits raised a lot of controversy, it was known that they conveyed so much emotion behind them. She turned ordinary things that any wife and mother could have seen into something extraordinary and heartfelt for the whole world to see.

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Migrant Mother, Nipomo, California
Dorothea Lange (1895 – 1965) was and American documentary photographer who took photos during the great depression. Her photos of unemployed farmers and their families were used by the Farm Security Administration to help bring the conditions of the rural people to the public’s attention. (“Dorothea Lange”, Britannica) Her works showed the powerful emotions that were involved in the hardships of America. She documented migrant workers, the mass evacuation of the Japanese Americans to detention camps after Japan’s attack on Pearl Harbor, and after WWII she created photo-essays such as Mormon Villages and The Irish Countryman. Her works brought attention to the suffering of the citizens in our country and what they were going through as a result. Her works were all about the “Human Erosion” she was seeing. 



Lalla Essaydi. Silence of Thought No. 2
Lalla Essaydi’s works challenge Muslim gender stereotypes through her work. She combines Islamic calligraphy with representations of the female body while focusing on the interconnection of faith, culture, and gender. Essaydi tells her story, what she believes her life is all about, through her artwork. She uses her artwork to “confront deeply entrenched historical notions about femininity and womanhood through the images of the Muslim world.” (Cheers) She is a multi-media artist, using painting, photography, film, or installations to get her message across. Through her artwork, she hopes to bridge the way Muslim women are viewed by both the eastern and western society. She wants to convey that they are human beings with their own personality and opinions.

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Red on White Body Tracks.
Ana Mendieta is one artist that took a completely different form of artwork than the other four artists. Her art was in nature, through performance art. However, her artwork lives on through photographs which is why I decided she belonged with these artists. “Throughout her work, Mendieta sets her body down in nature and then records its simple presence on the planet.” (Gopnik) She takes pictures lying naked on the ground, or videos floating naked in a creek, and some of her other works leave her out of the picture, showing just her silhouette traced in the sand or on rock. Gopnik states that boil down art, any art, and its nothing but a “gesture that affirms human ego.” Some of the most famous works have at heart a tag “ ‘Yo,  I’m Michelangelo.’ ‘Picasso was here!’”(Gopnik) With Mendieta’s artwork, its less specific than “Ana was here” and more like, “I was here” or “Someone was here once”. Her message was extremely evident in her Silueta series, her pieces aren’t about her as the artist but rather a diminished ego, making her single bloody handprint have the same effect on us as that handprint we see etched in a cave. It makes us marvel and love the mere fact that it is there. Mendieta used nature and her own body to show the beauty around us.


All these artists have a commonality with their artwork. They use their art and their photographs to send messages to the world. They want to change the world in their own unique way and add to the world with their messages. They all pour their hearts out and create pieces of art that tug at the viewers heart and create a stir, a thought, an emotion, and maybe even causes some actions to help improve what they are talking about in their art. They hope their artwork will provide some agency for people to act on their emotions. Changing the world one piece at a time.







Sources
"Cindy Sherman". Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2012. Web. 25 Nov. 2012
<
http://www.britannica.com/EBchecked/topic/540087/Cindy-Sherman>.


"Sally Mann". Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2012. Web. 25 Nov. 2012
<
http://www.britannica.com/EBchecked/topic/362473/Sally-Mann>.


"Dorothea Lange". Encyclopædia Britannica. Encyclopædia Britannica Online.
Encyclopædia Britannica Inc., 2012. Web. 25 Nov. 2012
<
http://www.britannica.com/EBchecked/topic/329647/Dorothea-Lange>.


Cheers, Imani M. Q&A: Lalla Essaydi Challenges Muslim, Gender Stereotypes at Museum of African Art. PBSnewshour :Art beat. Web. 25 Nov. 2012 http://www.pbs.org/newshour/art/blog/2012/05/revisions.html.

Gopnik, Blake (2004-10-17). "'Silueta' of A Woman: Sizing Up Ana Mendieta". Washington Post. pp. N01.

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